{"version":"1.0","provider_name":"Fifty &amp; Me MAGAZINE","provider_url":"https:\/\/www.fiftyandmemagazine.be\/nl","author_name":"Stagiaire","author_url":"https:\/\/www.fiftyandmemagazine.be\/nl\/author\/stagiaire","title":"'An', een film als een delicatesse - Fifty &amp; Me MAGAZINE","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Rh9sMKsTOt\"><a href=\"https:\/\/www.fiftyandmemagazine.be\/nl\/cultuur\/agenda-cultuur\/an-een-film-als-een-delicatesse\">&#8216;An&#8217;, een film als een delicatesse<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.fiftyandmemagazine.be\/nl\/cultuur\/agenda-cultuur\/an-een-film-als-een-delicatesse\/embed#?secret=Rh9sMKsTOt\" width=\"600\" height=\"338\" title=\"&#8220;&#8216;An&#8217;, een film als een delicatesse&#8221; &#8212; Fifty &amp; Me MAGAZINE\" data-secret=\"Rh9sMKsTOt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.fiftyandmemagazine.be\/nl\/wp-content\/uploads\/2016\/01\/life-Magazine1-e1455115349655.jpg","thumbnail_width":600,"thumbnail_height":521,"description":"Gebeten door de 7e kunst? Dan zal u zeker weg zijn van \u2018An\u2019, de nieuwe langspeelfilm van Naomi Kawasi die de sectie \u2018Un Certain Regard\u2019 mocht openen op het laatste filmfestival van Cannes. We staan even stil bij dit kleine meesterwerk van emoties en po\u00ebzie."}