{"version":"1.0","provider_name":"Fifty &amp; Me MAGAZINE","provider_url":"https:\/\/www.fiftyandmemagazine.be\/nl","author_name":"Ga\u00eblle Mauroit","author_url":"https:\/\/www.fiftyandmemagazine.be\/nl\/author\/gaelle","title":"Een \u00ab Parasol \u00bb tegen de brandende eenzaamheid - Fifty &amp; Me MAGAZINE","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IaS4nIeKWd\"><a href=\"https:\/\/www.fiftyandmemagazine.be\/nl\/cultuur\/agenda-cultuur\/parasol-op-het-witte-doek\">Een \u00ab Parasol \u00bb tegen de brandende eenzaamheid<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.fiftyandmemagazine.be\/nl\/cultuur\/agenda-cultuur\/parasol-op-het-witte-doek\/embed#?secret=IaS4nIeKWd\" width=\"600\" height=\"338\" title=\"&#8220;Een \u00ab Parasol \u00bb tegen de brandende eenzaamheid&#8221; &#8212; Fifty &amp; Me MAGAZINE\" data-secret=\"IaS4nIeKWd\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.fiftyandmemagazine.be\/nl\/wp-content\/uploads\/2016\/01\/BB.jpg","thumbnail_width":600,"thumbnail_height":520,"description":"Nadat hij furore maakte met zijn kortfilms, stelt Val\u00e9ry Rosier zijn eerste langspeelfilm \u2018Parasol\u2019 voor. Die werd alvast warm onthaald op het laatste Festival International du film Francophone in Namen en werd geselecteerd voor het prestigieuze Festival de San Sebastian in Spanje."}